Sunday — The Museums of Paris

Museé Rodin and Napoleon’s Tomb
Contemplation

Rodin’s “Thinker”, at the Museé Rodin. The gold­en dome of Les Invalides can be seen in the background.

Museé d’Orsay
Louvre, As Seen From Orsay

Look­ing out one of Orsay’s large clocks onto the Lou­vre, across the Seine.

Van Gogh Good With Milk

I had to figth the urge to lick this paint­ing. That looks like but­ter cream frost­ing to me. The Van Gogh paint­ings were some of the most pop­u­lar at the Museé d’Orsay.

Louvre and Jardins des Tuileries
Louvre Pyramid

A close up of one of the intri­cate con­nec­tions in the glass pyra­mid entrance to the Lou­vre, designed by I.M. Pei.

I have a entire­ly new def­i­n­i­tion for over­whelmed, after vis­it­ing the Lou­vre. While I’ve been to the Smith­son­ian and the British Nation­al Muse­um, nei­ther real­ly com­pare to the scope of the Lou­vre. The Lou­vre is part his­to­ry of civ­i­liza­tion muse­um and part art muse­um. It is a Noah’s ark of his­to­ry, par­tic­u­lary in the arts area. I hat­ed for us to be just high­light tourists, and miss out on so many of the fine arti­facts and pieces there. How­ev­er, we real­ized that even with the sev­er­al hours we had planned on being there, we were only going to get to see the most famous items. I’m sure it’s no coin­ci­dence that they are spread out accross the muse­um. We first went to the Venus de Milo, which as per­fect a stat­ue as I have ever seen in it’s like­ness of a per­son. If the sculp­ture did­n’t use a mod­el for this, I’d be amazed.

Louvre Storage

Odd­ly, I thought this was one of the coolest things I saw at the Lou­vre. It made the mas­sive muse­um seem more human to see a dis­play in the works.

We next made our way accross the cam­pus of build­ings to see the Code of Ham­mura­bi. This takes some time, as the Lou­vre is actu­al­ly made up of sev­er­al dif­fer­ent adjoin­ing palaces and under­ground struc­tures. You have to go up and down a num­ber of stairs to make it from one wing to the far wing. Once there, we saw one of mankinds ear­li­est set of civ­il codes, inscribed onto an eight foot tall black mono­lith. It has many dif­fer­ent laws of ancient Mesopotamia, most of which seem to be pun­ish­ble by death. It deals with struc­tures thus:

If a poor­ly built house caus­es the death of a son of the own­er of the house, then the son of the builder is put to death. (Sect. 230)

Well, eye-for-an-eye was all the rage in legal codes at the time.

On our way back through the Muse­um, we saw the Winged Vic­to­ry of Samoth­race (also a beau­ti­ful female like­ness, but with no head in addi­tion to no arms) and the French crown jew­els. After see­ing these crown jew­els and hav­ing seen the Eng­lish and Scot­tish crown jew­els, Angela and I have to laugh at how much they look like plas­tic kids crowns. Of course, unlike the Eng­lish and Scot­tish crowns, these haven’t been used in a while. We then pro­ceed down a very, very long hall­way to see the Mona Lisa. The crowd around her was like that at a small rock club. I waited/waded up to the front to take a few pic­tures and then moved on. Real­ly, very anti-cli­mac­tic. One thing I noticed at all of these icons of art and civ­i­liza­tion: peo­ple hav­ing their pho­to tak­en in front of the object. It seems odd to me. I mean, does­n’t the fact you have the pho­to sig­ni­fy you were there? Why does hav­ing your mug in that pho­to make it more signifigant?

Centre Georges Pompidou

We stopped off at a inter­net and gam­ing shop along the way to the Pom­pi­dou Cen­ter. Angela had men­tioned that some of these places had Eng­lish, or QWERTY key­boards. The place we stopped at did­n’t, so we got to learn about the AZERTY key­board. I will say that, oth­er than just swap­ping Q for A and oth­er let­ters, many sym­bols are dif­fer­ent as well. I was reduced to hunt­ing and peck­ing out an e‑mail to fam­i­ly and friends.

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