The Hobbit: An Unexpected Journey

Dur­ing trips to vis­it grand­par­ents for the Christ­mas hol­i­day when I was a kids, my fam­i­ly would typ­i­cal­ly go out to see a movie at least one night. It gave us all some­thing to do and I’m sure gave the adults a much-need­ed break from watch­ing us kids. I was final­ly able to take Angela out to see a movie around Christ­mas this year; some­thing I’m pret­ty cer­tain she nev­er did as a kid.

We went to see The Hob­bit: An Unex­pect­ed Jour­ney1, which of course is the first part of tril­o­gy of films ded­i­cat­ed to the J.R.R. Tolkiens first novel.

So, as not to bury the lead, we both liked it. I can’t say that either of us loved the film and it did­n’t have the great impact that the first film in the Lord of the Rings tril­o­gy had for me. But, it was a pret­ty sol­id adven­ture film and it’s hard for me to not have a fond feel­ing for any­thing based in mid­dle earth.

The Downside

My biggest dis­like of the film was gen­er­al­ly just the over­all tone. The Hob­bit, or There and Back Again was a chil­dren’s book and while it cer­tain­ly had all the fan­ta­sy trap­pings of LotR (and more: drag­on!), it was notably more light-heart­ed. I don’t recall a sense of real dan­ger from Golem; at least no more so than the trolls try­ing to eat the dwarves.

Of course, there’s sim­ply no way that this movie could have been a child-friend­ly, light-heart­ed adven­ture movie. By mak­ing LotR first the tone of the world had been estab­lished and you can’t light­en it up easy. Else you get Ewoks or, God for­bid, Jar-Jar Binks. And no one wants that from the dwarves of Mid­dle Earth.

The Upside

So, in order to make a movie based on The Hob­bit as epic in nature as the LotR, Peter Jack­son and com­pa­ny had to do what works for so many movie fran­chis­es: a prequel!

Okay, so The Hob­bit came before the LotR, so of course it’s a pre­quel, right? Well, not exact­ly in the sense we think of movie pre­quels. Hob­bit was writ­ten before LotR and with a very dif­fer­ent audi­ence and pur­pose from the author. LotR was an epic myth which keyed off of a sin­gle inci­dent in the Hob­bit (the ring), which was much more of a sim­ple fan­ta­sy adven­ture tale. To put it anoth­er way, if you were a school child in Mid­dle Earth, study­ing the sto­ry of the Hob­bit would be akin to learn­ing about some Euro­pean land feud result­ing in a minor war. The events of LotR would be world-chang­ing, like study­ing the and fall of the Roman empire.

Fur­ther, The Hob­bit just was­n’t that long of a sto­ry. At just under 100,000 words, it’s well in the nov­el ter­ri­to­ry, but it’s less than a quar­ter of the entire LotR tril­o­gy of books (which were real­ly intend­ed as a sin­gle nov­el, any­way). It sure­ly could have been one heck of a sin­gle movie, and no one was that sur­prised when it was announced as two movies. How­ev­er, three movies real­ly seemed like a stretch. And hon­est­ly, the first film could have eas­i­ly trimmed off a bit in terms of over­done action sequences.

For­tu­nate­ly, it seems that much of the plot padding in the Hob­bit tril­o­gy is com­ing from canon sources like the appen­dix of The Return of the King and per­haps The Sil­mar­il­lion. So there’s prob­a­bly not a lot of con­tent cre­at­ed here just for the film, though there is no short­age of the extend­ed, elab­o­rate action sequences (most of which involve orcs or gob­lins) that Peter Jack­son loves to embell­ish on. How­ev­er, his admi­ra­tion (and that of his part­ners in writ­ing & pro­duc­ing) for the source mate­r­i­al is evident.

Giv­en just how dry much of Tokein’s oth­er writ­ing was — there’s a damn good rea­son The Sil­mar­il­lion or the lat­er posthumeous works of Unfin­ished Tales and His­to­ry of Mid­dle Earth nev­er became pop­u­lar — some added char­ac­ter depth and live­ly adven­tur­ing from Peter Jack­son et al. might be just the thing to bring them fur­ther to life. Who knows, there may well be a third tril­o­gy in there some­where. Of course, none are ever going to be as epic and amaz­ing as the Lord of the Rings, includ­ing The Hobbit.

  1. In good ‘ole 2D. I’m not only a cheap­skate date, I also don’t care for 3D unless it has some­thing to add, which I did­n’t think it would for this film. []
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By Jason Coleman

Structural engineer and technical content manager Bentley Systems by day. Geeky father and husband all the rest of time.

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